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16 April 2026

London Made Me

Culture
Members Club
Culture
Members Club

In Camden, surrounded by walls mid-renovation and buckets of flowers stacked in the corners, botanical artist Hamish Powell is one of the most intriguing voices in London’s new floral scene, with a story that spans Africa, France, and England, and a past in science that continues to shape the way he works.

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Powell still isn’t entirely sure what to call himself — “I am a florist or a floral artist. Or sometimes a botanical inventor… I change my title every day.” What is clear, though, is the path that brought him here: winding, instinctive, and shaped by a lifelong conversation with plants. Before flowers, there was science. At university, he studied plant microbiology, engineering drought-resistant rice, and imagining a future in a lab coat. “I never realized that I was going to have a creative journey… I was going to be a genetic engineer.” To earn some money, he took a part-time job in a flower shop. At first, it was all mops and buckets, no artistry in sight, but something clicked. “I didn’t know anything about floristry, but I’ve always loved plants ever since I was a little kid.”

Curiosity did what it always does: it carried him somewhere new. By graduation, he was managing the shop; then came the message from London — a studio looking for young designers. He said yes, moved in 2019, worked with a major company, and after Covid opened his own shop. “I’ve always felt like this is the path that was created for me… I’ve just been walking, and it seems to be the right direction.”

The roots of that direction go far back. Born in Zimbabwe to a farmer father, nature was never far from him. He remembers France, too, where the family moved after leaving Africa; his earliest memory is botanical in every detail. “Sitting under this mimosa tree, these fluffy yellow flowers against the blue sky… it shows my brain was already logging onto those things from such a young age.”

His parents separated, and life unfolded between England and Tanzania — summers in wild landscapes, school terms in cities. The contrast shaped him, and so did the structure of science. Even now, it underpins everything he creates. “I understood plants as a living thing before they were decorative… I feel like we speak the same language.”

His process is intuitive yet precise. He often begins with just a loose form in mind, waiting for the flowers to guide what comes next. “When I place one flower, it inspires the next… they’re dancing, and I’m choreographing them to dance together.” Respecting the material is everything. “It’s already perfect… I just try to encourage its beauty.”

When asked to finish the sentence “London made me…”, his answer is immediate. “London made me creative… London made me expressive. London made me me.”

His relationship with London has always been a negotiation between the wilderness he longs for and the electricity of the city. “My soul needs both parts to exist… when it’s grey and nothing is blooming, I feel like I’ve got no leaves either.” Yet he knows the city has shaped him as much as he has shaped his work; places like Paris, New York and Milan are where careers like his become possible — where creativity finds its edge, its tension, its unexpected bloom.

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